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Yes - Close To The Edge -2013- -flac 24-192- Review

Yes - Close To The Edge -2013- -flac 24-192- Review

Close to the Edge is the fifth studio album by English progressive rock band Yes, originally released in 1972. It is widely considered one of the greatest progressive rock albums of all time. The album consists of three tracks:

Musically, it features complex arrangements, Jon Anderson's ethereal vocals, Steve Howe's intricate guitar work, Chris Squire's melodic bass, Rick Wakeman's virtuosic keyboards, and Bill Bruford's dynamic drumming.

Rating: 9.5/10

The "Yes - Close To The Edge - 2013 - FLAC 24-192" is essential listening for audiophiles and prog-rock fans. It respects the original mix while utilizing modern technology to extract every ounce of detail from the master tapes.

If you have high-quality headphones or a decent speaker setup, this is the version to own. It allows you to hear the intricacies of Bill Bruford’s drumming and the majesty of Jon Anderson’s vocals with a transparency that arguably makes this the best-sounding version of the album ever released to the public.

The 2013 definitive edition of Yes's Close to the Edge represents a major milestone for audiophiles, as it was the first in a series of expanded editions to feature new high-resolution mixes. While various digital versions exist, the FLAC 24-bit / 192 kHz format is specifically associated with the "Flat Transfer" of the original 1972 master tape. High-Resolution Audio Specs

The 2013 release, spearheaded by Steven Wilson, offered multiple audio configurations across Blu-ray and digital download:

Original 1972 Stereo Mix: Transferred directly from the original analogue master tape at 24-bit / 192 kHz with no additional EQ or compression.

Steven Wilson 2013 Stereo Remix: Typically presented at 24-bit / 96 kHz to match the resolution of the multitrack source tapes.

5.1 Surround Sound: Available in DTS-HD Master Audio at 24-bit / 96 kHz.

Bonus Content: Includes the single version of "America" at 24/192 and high-resolution instrumental versions.

The 2013 high-resolution reissue of Yes’s progressive rock masterpiece, Close to the Edge, represents a definitive moment for audiophiles and fans of the genre. Presented in FLAC 24-bit/192kHz, this release offers a surgical level of detail that brings new life to the intricate layering of Jon Anderson’s vocals, Steve Howe’s guitars, and Rick Wakeman’s symphonic keyboards. The 2013 Definitive Edition

Released by Panegyric Recordings, this edition was the first in a series of expanded Yes releases to feature the expertise of acclaimed musician and producer Steven Wilson.

Pristine Flat Transfers: The 24-bit/192kHz FLAC format is primarily used for the Original Stereo Mix, which was transferred directly from the original flat master tapes without additional equalization.

Steven Wilson Remix: Alongside the original master, Wilson provided a completely new stereo remix (typically at 24/96 resolution) designed to provide better separation and clarity while remaining faithful to the 1972 spirit.

Expanded Tracklist: In addition to the three core tracks—the 18-minute title epic, "And You and I," and "Siberian Khatru"—this version includes high-resolution extras such as single edits and studio run-throughs of "Siberia". Audio Performance and Fidelity

For listeners using high-end playback systems, the 24-bit/192kHz transfer provides a significant upgrade over standard CD quality.

This 2013 definitive edition of Close to the Edge represents the gold standard for Yes fans and audiophiles alike. Remixed from the original multitrack tapes by Steven Wilson

, this 24-bit/192kHz FLAC release offers a level of clarity and separation that was previously unattainable. 💿 Technical Specifications Close to the Edge (Definitive Edition) Release Year: 2013 (Original 1972) FLAC (Lossless) Resolution: 24-bit / 192kHz Remix Engineer: Steven Wilson 🎧 Audio Quality & Experience Unrivaled Clarity:

The high sample rate captures the microscopic textures of Steve Howe’s guitar work and Rick Wakeman’s Moog transients. Modern Headroom:

Wilson’s remix fixes the "muddy" mid-range found in earlier pressings without losing the 1970s analog warmth. Dynamic Range:

Chris Squire’s Rickenbacker bass growls with newfound punch, providing a massive low-end foundation that doesn't bleed into the vocals. Spatial Separation:

The 18-minute title track benefits most, allowing the listener to track individual vocal harmonies during the "I Get Up, I Get Down" section. 🎼 Track Listing Close to the Edge I. The Solid Time of Change II. Total Mass Retain III. I Get Up, I Get Down IV. Seasons of Man And You and I I. Cord of Life II. Eclipse III. The Preacher, The Teacher IV. Apocalypse Siberian Khatru 🌟 Why This Version? The 24/192 FLAC files are sourced from the Panegyric/Atlantic

reissue. Unlike the original 1972 master, which suffered from some tape saturation, this digital transfer utilizes the highest possible bit-depth to ensure that no harmonic detail is lost. It is widely considered the "Final Word" on the album's sonic presentation.

To help you get the most out of this high-resolution file, would you like to know: DAC/Amp setups to handle 192kHz playback? How this mix compares specifically to the 1994 or 2003 remasters Information on the bonus tracks (like the studio run-through of "And You and I")? I can provide a into any of these areas!

Title: High-Resolution Analysis: Yes’s Close to the Edge (2013, FLAC 24-bit/192kHz)

Introduction The 2013 high-resolution (hi-res) reissue of Yes’s seminal 1972 album Close to the Edge represents a pivotal moment in audiophile catalog remastering. Released in FLAC 24-bit/192kHz format, this edition aims to transcend the limitations of the original Red Book CD (16-bit/44.1kHz). This paper examines the technical specifications, sonic implications, and historical context of this specific digital transfer.

Technical Specifications

Sonic Characteristics

Critical Reception Among audiophile communities (e.g., Steve Hoffman Forums, What Hi-Fi?), this 2013 edition is generally praised as a definitive digital version, though some note that the 192kHz rate may exceed human auditory capability (typically 20 Hz – 20 kHz). Critics argue that 96kHz/24-bit would be sonically indistinguishable. However, proponents cite reduced aliasing distortion in the audible band due to gentler anti-aliasing filters made possible by the ultra-high sample rate.

Historical Context Close to the Edge is a cornerstone of progressive rock, structured as a single 18-minute title track plus two shorter pieces. Its dense, multi-tracked production—featuring layered vocals, organ, and tape echo—benefits from high-resolution transfer, which minimizes intermodulation distortion during complex climaxes.

Conclusion The 2013 FLAC 24-bit/192kHz edition of Close to the Edge offers the closest digital approximation to the original analog master tapes currently available. While the ultrasonic bandwidth is of theoretical rather than practical benefit for most playback systems, the 24-bit depth and careful transfer provide a definitive listening experience for archival and critical listening purposes. Future remasters should focus on provenance (which master tape generation was used) rather than further increasing sample rates.

References (Suggested)

To the uninitiated, “FLAC 24-192” looks like technical gibberish. To an audiophile, it is a promise. Let’s break down why this applies perfectly to Close to the Edge:

| Component | Meaning | Relevance to Yes | | :--- | :--- | :--- | | FLAC | Free Lossless Audio Codec (compressed without losing data, unlike MP3) | Preserves every nuance of the master tape—no harmonic distortion or "swishy" cymbal decay. | | 24-bit | Bit depth (dynamic range: 144dB vs. 96dB for 16-bit) | Captures the whisper of Rick Wakeman’s Mellotron and the explosion of the full band without clipping. | | 192 kHz | Sampling rate (captures frequencies up to 96kHz, far above human hearing) | Ensures perfect temporal resolution for high-frequency harmonics—the "air" around Steve Howe’s acoustic guitar. |

When you see “Yes - Close To The Edge -2013- -FLAC 24-192-” , you are looking at a transfer that respects the original analog master tapes at a resolution exceeding even SACD. The 2013 date is crucial: this was not a simple upsampling. It was a flat transfer from the original analog master tapes (presumably the same source as the 2003 remaster but without the limiting).

Progressive rock is about pushing boundaries—musical, temporal, and technological. To listen to Close to the Edge in standard definition is to see a cathedral through a dirty window. To listen to “Yes - Close To The Edge -2013- -FLAC 24-192-” is to stand in the nave, gaze up at the stained glass, and feel the organ vibrate through the stone floor.

For fans who have memorized every note, this 2013 high-resolution release offers a fresh revelation: the sound of five virtuosos at their absolute peak, preserved in a digital container worthy of their ambition.

Download it, light a candle, and get up, get down—all the way to the solid time of change.

Word count: ~1,250. For the collector: Pair this FLAC with a good tube headphone amplifier to soften the transient peaks, and you’ll hear why 1972 was prog’s annus mirabilis.

The Yes - Close To The Edge - 2013 - FLAC 24-192 refers to a specific high-resolution digital version of the seminal 1972 progressive rock masterpiece, primarily sourced from the 2013 "Definitive Edition" reissue on Panegyric Recordings. This release is celebrated for featuring brand-new stereo and 5.1 surround mixes by Steven Wilson, as well as ultra-high-resolution transfers of the original production. Technical Breakdown

This specific 24-bit / 192kHz FLAC typically originates from the Blu-ray component of the 2013 set, which contained multiple audio streams:

Original 1972 Stereo Mix (24/192): A "flat transfer" from the original master tapes with no additional EQ, providing the most authentic digital representation of the original Eddy Offord production.

Steven Wilson 2013 Stereo Mix (24/96): While the Wilson remixes are often provided at 96kHz, some high-res storefronts like ProStudioMasters offer a 192kHz version.

Instrumental Mixes: The set included Wilson’s new stereo mixes without vocals, allowing for deep focus on the complex interplay between Wakeman, Howe, Squire, and Bruford. Key Features of the 2013 Edition

Unrivaled Clarity: Steven Wilson’s remix is widely praised by Discogs reviewers for better instrument separation, particularly bringing Rick Wakeman’s keyboards more forward and tightening Chris Squire’s famously "growly" Rickenbacker bass.

Bonus Tracks: Includes the full-length version of "America" (Simon & Garfunkel cover) and previously unreleased "Early Assembly" or rough mixes of the title track.

Spatial Integrity: For those with the full physical set, the 5.1 DTS-HD Master Audio is considered a benchmark for surround sound, specifically the "I Get Up, I Get Down" section with its soaring church organ. Performance Summary

The 2013 high-resolution reissue of Yes’s progressive rock masterpiece, Close to the Edge, is widely considered the definitive audiophile version. This specific release, part of the Definitive Edition series, features a complete remix by Steven Wilson from the original multitrack tapes, aiming for modern clarity while faithfully preserving the 1972 spirit. Technical Specifications & Formats

Format: Typically available as a 24-bit / 192kHz FLAC download or via physical Blu-ray/DVD-A sets.

Source Material: Includes both Steven Wilson's 2013 Stereo Mix and a high-resolution flat transfer of the Original 1972 Stereo Mix. Contents: "Close to the Edge" (18:43) "And You and I" (10:09) "Siberian Khatru" (09:01)

Bonus Tracks: Often includes the full version of "America" and early rough mixes. Key Features of the 2013 Remix

Yes - Close To The Edge - 2013 (FLAC 24-192) release is a highly regarded audiophile edition, primarily known for being the first entry in the band's "Definitive Edition" series remixed by Steven Wilson Key Technical Specifications Resolution: 24-bit / 192kHz (and 24-bit / 96kHz for specific mixes). Primary Format:

FLAC (audiophile downloads) and LPCM (on Blu-ray/DVD-A physical media).

Remixed from original multitrack tapes and flat transfers from the original master tape. ProStudioMasters Version Breakdown Yes - Close To The Edge -2013- -FLAC 24-192-

The 2013 high-resolution files typically offer three distinct ways to experience the album: Original Stereo Mix (24-192):

A high-resolution flat transfer from the original 1972 master tape, preserving the original sound with maximum clarity. 2013 Stereo Remix (24-96):

Remixed by Steven Wilson to bring out individual instrumental and vocal clarity while staying faithful to the original spirit. 5.1 Surround Mix (24-96):

Available on the Blu-ray and DVD-A physical versions, also handled by Wilson, providing a greater sense of space. Additional Content in the 2013 Series

Digital and physical versions from this 2013 release often include high-resolution bonus material: Instrumental Versions: 24-bit / 96kHz stereo instrumental mixes of the full album. Bonus Tracks:

New mixes of "America" and early rough assemblies of the title track. UK Vinyl Transfer:

A 24-bit / 96kHz "needle-drop" transfer of an original A1/B1 UK vinyl pressing. Artwork & Notes:

The physical editions included a 20-page booklet with new liner notes by Sid Smith and unreleased Roger Dean artwork.

This version is widely considered the definitive way to listen to the album due to its use of high-resolution digital transfers from analogue sources and the meticulous remixing by Steven Wilson. You can find these high-resolution downloads on sites like ProStudioMasters to the more recent 2025 Super Deluxe Edition

The 2013 "Definitive Edition" of Yes’s progressive rock masterpiece Close to the Edge is highly regarded for its Steven Wilson remix, which utilized newly-rediscovered 16-track master tapes to provide unprecedented clarity and depth to the 1972 recording. The 2013 Release Details

Released on November 11, 2013, via Panegyric Recordings, this edition was offered in CD/DVD-A and CD/Blu-ray configurations.

Audio Quality: The Blu-ray version features high-resolution 24-bit/192kHz stereo remasters of the original "flat" stereo masters and 24-bit/96kHz for the new Steven Wilson 5.1 Surround and Stereo remixes.

Remix Philosophy: Wilson aimed to preserve the "soul" of the original Eddy Offord production while cleaning up the dense layering of instruments, particularly the interplay between Chris Squire's bass and Rick Wakeman's keyboards. Content of the 2013 Definitive Edition

This release is known for being exhaustive, catering to both purists and those seeking new perspectives on the tracks:

New Steven Wilson Mixes: Entirely new stereo and 5.1 surround mixes.

Original Mixes: The 1972 Eddy Offord mix, transferred directly from the master tape with no additional EQ.

Bonus Audio: Includes the track "America" (remixed and original versions), early rough assemblies of all three album tracks, and various single edits.

Blu-ray Exclusives: Features a digital "needle drop" of a pristine original vinyl pressing and full instrumental versions of the entire album. Artistic Context Yes Close To The Edge M-CH DVD-A & CD - Elusive Disc

Rolling Stone 500 Greatest Albums of All Time - Rated 445/500! Close to the Edge, Yes's follow-up to the 1971 smash album Fragile, Elusive Disc

The 2013 Steven Wilson remix of Close to the Edge (24-bit/192kHz) is widely considered the definitive digital version for audiophiles. Unlike traditional remasters that only adjust the EQ, Wilson used original multi-track tapes to rebuild the mix from the ground up, focusing on instrument separation and dynamic range. 💎 Key Sonic Improvements

Clarity & Separation: Wilson reduces the "murkiness" of the original 1972 production, making individual parts like Rick Wakeman’s shimmering synths and Steve Howe’s intricate 12-string guitar easier to distinguish.

Chris Squire’s Bass: Often a highlight of these remixes, the bass is described as "fatter," "punchier," and more articulate, particularly during the heavy jam sections.

Vocals: Jon Anderson’s vocals are moved slightly forward in the mix, sounding more immediate and "in the room".

The "Whoosh": The iconic natural sound intro and the transition into the main theme are significantly cleaner and more impactful in high resolution. ⚖️ Critical Trade-offs

Loss of Mystery: Some purists argue that the increased clarity strips away some of the "esoteric mystery" and "ethereal" vibe found in the original analog mix.

Vocal Balance: In certain sections (like "I Get Up, I Get Down"), the extreme separation can make the vocal harmonies feel less tightly integrated than they were on the original LP. 📦 Technical & Content Highlights High-Res or Old School Digital - Positive Feedback

Here's the text of my response to him: "David Solomon, so no head-to-head comparison available yet, but I took a listen to the 24/ Positive Feedback Close To The Edge (Steven Wilson Remix) – Jason Warburg Close to the Edge is the fifth studio

The 2013 high-definition remaster of Yes’s 1972 masterpiece, Close to the Edge, remains the gold standard for audiophiles. Presented in FLAC 24-bit/192kHz, this version—meticulously helmed by Steven Wilson—breathes new life into what many consider the pinnacle of progressive rock. 💎 The Technical Edge: Why 24-bit/192kHz?

For a record as dense as Close to the Edge, the resolution matters. The jump from standard CD quality to 24-192 provides:

Expanded Dynamic Range: Subtle acoustic passages don't get lost next to thunderous organ swells.

Zero Compression: The FLAC format preserves every bit of the original master tape's detail.

Instrument Separation: You can finally "place" Steve Howe’s sitar-guitar and Chris Squire’s Rickenbacker in a distinct 3D soundstage. 🎹 The Steven Wilson Magic

In 2013, Steven Wilson was tasked with remixing the original multi-track tapes. His approach was surgical yet respectful. Sonic Improvements

The Title Track: The chaotic "Seasons of Man" section feels less cluttered, allowing Rick Wakeman’s rapid-fire keys to shine.

"And You and I": The 12-string acoustic guitars have a crystalline shimmer that was previously muffled in older digital transfers.

"Siberian Khatru": The interplay between the dual guitar leads and the driving percussion is punchier and more aggressive. 🌊 A Deep Dive into the Experience

Listening to this 192kHz file is less like hearing a record and more like sitting in Advision Studios in 1972. The Low End

Chris Squire’s bass is the heart of Yes. In this high-res format, the "growl" of his tone has a physical weight. It anchors the complex time signatures without overwhelming the mix. The Vocal Harmony

Jon Anderson, Steve Howe, and Chris Squire’s three-part harmonies are legendary. At 24-bit resolution, the individual textures of their voices are distinguishable, creating a lush, choral effect that feels organic. 🛠️ Requirements for the Best Listen

To truly appreciate the 2013 FLAC 24-192 files, your hardware must be up to the task:

DAC (Digital-to-Analog Converter): Needs to support 192kHz sampling rates.

Studio Headphones or Monitors: Look for "neutral" signatures to hear the remix as Wilson intended.

Media Player: Use software like Foobar2000, Roon, or VLC that handles bit-perfect playback. 🎯 Verdict: Is it Worth the Space?

Close to the Edge is an album of layers. The 2013 24-192 FLAC version unpeels those layers better than any vinyl or CD pressing before it. It is an essential acquisition for anyone who values the intersection of musical genius and technical perfection.

If you're looking to dive deeper into this release, I can help you: Compare the 2013 remix to the original 1972 flat transfer. Find the best hardware to play high-res FLAC files.

Explore other Steven Wilson Yes remixes (like The Yes Album or Fragile). Which of these

Close to the Edge

It was a crisp autumn evening in 2013 when I first laid ears on the remastered FLAC 24-192 version of Yes's iconic album, "Close to the Edge". I had always been a fan of the progressive rock band, but I had never heard their masterpiece quite like this before.

As I settled into my listening room, surrounded by vintage audio equipment and vinyl records, I carefully cued up the digital file on my player. The opening notes of "The Solid Time of Change" floated through my speakers, and I was immediately struck by the stunning clarity and depth of the sound.

The remastering process had clearly done wonders for the album, bringing out subtle details and textures that I had never noticed before. The guitars, keyboards, and vocals seemed to occupy a precise, three-dimensional space, drawing me into the music like a vortex.

As the album's 18-minute title track unfolded, I found myself transported to a different world. The soaring vocal harmonies, the intricate instrumental passages, and the epic, poetic lyrics all combined to create a sense of sonic grandeur that was both exhilarating and overwhelming.

I closed my eyes and let the music wash over me, imagining the band members in the studio, pouring their hearts and souls into this magnum opus. I pictured Chris Squire's bass thumping through the speakers, Steve Howe's guitar work shimmering like sunlight on water, and Rick Wakeman's keyboards conjuring up swirling clouds of sound.

As the album's second half, "Total Mass Retain", began, I felt a sense of trepidation. Would the music sustain its lofty heights, or would it falter under the weight of its own ambition? But Yes, ever the masters of their craft, effortlessly segued into the complex, polymetered rhythms and melodies, keeping me on the edge of my seat.

The last notes of "I Get Up, I Get Down" faded away, and I sat in stunned silence, feeling as though I'd been on a journey through the very fabric of sound itself. It was clear that "Close to the Edge", even 40 years after its initial release, remained a work of genius, an awe-inspiring testament to the creative potential of progressive rock. Rating: 9

As I opened my eyes, I knew that I would return to this album again and again, eager to explore its depths and uncover new secrets hidden within its remastered sonic landscape. For in the world of Yes, "Close to the Edge" remained an enduring masterpiece, an odyssey of sound that would continue to inspire and captivate listeners for generations to come.

You need a player that supports high-res FLAC.

Close to the Edge is the fifth studio album by English progressive rock band Yes, originally released in 1972. It is widely considered one of the greatest progressive rock albums of all time. The album consists of three tracks:

Musically, it features complex arrangements, Jon Anderson's ethereal vocals, Steve Howe's intricate guitar work, Chris Squire's melodic bass, Rick Wakeman's virtuosic keyboards, and Bill Bruford's dynamic drumming.

Rating: 9.5/10

The "Yes - Close To The Edge - 2013 - FLAC 24-192" is essential listening for audiophiles and prog-rock fans. It respects the original mix while utilizing modern technology to extract every ounce of detail from the master tapes.

If you have high-quality headphones or a decent speaker setup, this is the version to own. It allows you to hear the intricacies of Bill Bruford’s drumming and the majesty of Jon Anderson’s vocals with a transparency that arguably makes this the best-sounding version of the album ever released to the public.

The 2013 definitive edition of Yes's Close to the Edge represents a major milestone for audiophiles, as it was the first in a series of expanded editions to feature new high-resolution mixes. While various digital versions exist, the FLAC 24-bit / 192 kHz format is specifically associated with the "Flat Transfer" of the original 1972 master tape. High-Resolution Audio Specs

The 2013 release, spearheaded by Steven Wilson, offered multiple audio configurations across Blu-ray and digital download:

Original 1972 Stereo Mix: Transferred directly from the original analogue master tape at 24-bit / 192 kHz with no additional EQ or compression.

Steven Wilson 2013 Stereo Remix: Typically presented at 24-bit / 96 kHz to match the resolution of the multitrack source tapes.

5.1 Surround Sound: Available in DTS-HD Master Audio at 24-bit / 96 kHz.

Bonus Content: Includes the single version of "America" at 24/192 and high-resolution instrumental versions.

The 2013 high-resolution reissue of Yes’s progressive rock masterpiece, Close to the Edge, represents a definitive moment for audiophiles and fans of the genre. Presented in FLAC 24-bit/192kHz, this release offers a surgical level of detail that brings new life to the intricate layering of Jon Anderson’s vocals, Steve Howe’s guitars, and Rick Wakeman’s symphonic keyboards. The 2013 Definitive Edition

Released by Panegyric Recordings, this edition was the first in a series of expanded Yes releases to feature the expertise of acclaimed musician and producer Steven Wilson.

Pristine Flat Transfers: The 24-bit/192kHz FLAC format is primarily used for the Original Stereo Mix, which was transferred directly from the original flat master tapes without additional equalization.

Steven Wilson Remix: Alongside the original master, Wilson provided a completely new stereo remix (typically at 24/96 resolution) designed to provide better separation and clarity while remaining faithful to the 1972 spirit.

Expanded Tracklist: In addition to the three core tracks—the 18-minute title epic, "And You and I," and "Siberian Khatru"—this version includes high-resolution extras such as single edits and studio run-throughs of "Siberia". Audio Performance and Fidelity

For listeners using high-end playback systems, the 24-bit/192kHz transfer provides a significant upgrade over standard CD quality.

This 2013 definitive edition of Close to the Edge represents the gold standard for Yes fans and audiophiles alike. Remixed from the original multitrack tapes by Steven Wilson

, this 24-bit/192kHz FLAC release offers a level of clarity and separation that was previously unattainable. 💿 Technical Specifications Close to the Edge (Definitive Edition) Release Year: 2013 (Original 1972) FLAC (Lossless) Resolution: 24-bit / 192kHz Remix Engineer: Steven Wilson 🎧 Audio Quality & Experience Unrivaled Clarity:

The high sample rate captures the microscopic textures of Steve Howe’s guitar work and Rick Wakeman’s Moog transients. Modern Headroom:

Wilson’s remix fixes the "muddy" mid-range found in earlier pressings without losing the 1970s analog warmth. Dynamic Range:

Chris Squire’s Rickenbacker bass growls with newfound punch, providing a massive low-end foundation that doesn't bleed into the vocals. Spatial Separation:

The 18-minute title track benefits most, allowing the listener to track individual vocal harmonies during the "I Get Up, I Get Down" section. 🎼 Track Listing Close to the Edge I. The Solid Time of Change II. Total Mass Retain III. I Get Up, I Get Down IV. Seasons of Man And You and I I. Cord of Life II. Eclipse III. The Preacher, The Teacher IV. Apocalypse Siberian Khatru 🌟 Why This Version? The 24/192 FLAC files are sourced from the Panegyric/Atlantic

reissue. Unlike the original 1972 master, which suffered from some tape saturation, this digital transfer utilizes the highest possible bit-depth to ensure that no harmonic detail is lost. It is widely considered the "Final Word" on the album's sonic presentation.

To help you get the most out of this high-resolution file, would you like to know: DAC/Amp setups to handle 192kHz playback? How this mix compares specifically to the 1994 or 2003 remasters Information on the bonus tracks (like the studio run-through of "And You and I")? I can provide a into any of these areas!

Title: High-Resolution Analysis: Yes’s Close to the Edge (2013, FLAC 24-bit/192kHz)

Introduction The 2013 high-resolution (hi-res) reissue of Yes’s seminal 1972 album Close to the Edge represents a pivotal moment in audiophile catalog remastering. Released in FLAC 24-bit/192kHz format, this edition aims to transcend the limitations of the original Red Book CD (16-bit/44.1kHz). This paper examines the technical specifications, sonic implications, and historical context of this specific digital transfer.

Technical Specifications

Sonic Characteristics

Critical Reception Among audiophile communities (e.g., Steve Hoffman Forums, What Hi-Fi?), this 2013 edition is generally praised as a definitive digital version, though some note that the 192kHz rate may exceed human auditory capability (typically 20 Hz – 20 kHz). Critics argue that 96kHz/24-bit would be sonically indistinguishable. However, proponents cite reduced aliasing distortion in the audible band due to gentler anti-aliasing filters made possible by the ultra-high sample rate.

Historical Context Close to the Edge is a cornerstone of progressive rock, structured as a single 18-minute title track plus two shorter pieces. Its dense, multi-tracked production—featuring layered vocals, organ, and tape echo—benefits from high-resolution transfer, which minimizes intermodulation distortion during complex climaxes.

Conclusion The 2013 FLAC 24-bit/192kHz edition of Close to the Edge offers the closest digital approximation to the original analog master tapes currently available. While the ultrasonic bandwidth is of theoretical rather than practical benefit for most playback systems, the 24-bit depth and careful transfer provide a definitive listening experience for archival and critical listening purposes. Future remasters should focus on provenance (which master tape generation was used) rather than further increasing sample rates.

References (Suggested)

To the uninitiated, “FLAC 24-192” looks like technical gibberish. To an audiophile, it is a promise. Let’s break down why this applies perfectly to Close to the Edge:

| Component | Meaning | Relevance to Yes | | :--- | :--- | :--- | | FLAC | Free Lossless Audio Codec (compressed without losing data, unlike MP3) | Preserves every nuance of the master tape—no harmonic distortion or "swishy" cymbal decay. | | 24-bit | Bit depth (dynamic range: 144dB vs. 96dB for 16-bit) | Captures the whisper of Rick Wakeman’s Mellotron and the explosion of the full band without clipping. | | 192 kHz | Sampling rate (captures frequencies up to 96kHz, far above human hearing) | Ensures perfect temporal resolution for high-frequency harmonics—the "air" around Steve Howe’s acoustic guitar. |

When you see “Yes - Close To The Edge -2013- -FLAC 24-192-” , you are looking at a transfer that respects the original analog master tapes at a resolution exceeding even SACD. The 2013 date is crucial: this was not a simple upsampling. It was a flat transfer from the original analog master tapes (presumably the same source as the 2003 remaster but without the limiting).

Progressive rock is about pushing boundaries—musical, temporal, and technological. To listen to Close to the Edge in standard definition is to see a cathedral through a dirty window. To listen to “Yes - Close To The Edge -2013- -FLAC 24-192-” is to stand in the nave, gaze up at the stained glass, and feel the organ vibrate through the stone floor.

For fans who have memorized every note, this 2013 high-resolution release offers a fresh revelation: the sound of five virtuosos at their absolute peak, preserved in a digital container worthy of their ambition.

Download it, light a candle, and get up, get down—all the way to the solid time of change.

Word count: ~1,250. For the collector: Pair this FLAC with a good tube headphone amplifier to soften the transient peaks, and you’ll hear why 1972 was prog’s annus mirabilis.

The Yes - Close To The Edge - 2013 - FLAC 24-192 refers to a specific high-resolution digital version of the seminal 1972 progressive rock masterpiece, primarily sourced from the 2013 "Definitive Edition" reissue on Panegyric Recordings. This release is celebrated for featuring brand-new stereo and 5.1 surround mixes by Steven Wilson, as well as ultra-high-resolution transfers of the original production. Technical Breakdown

This specific 24-bit / 192kHz FLAC typically originates from the Blu-ray component of the 2013 set, which contained multiple audio streams:

Original 1972 Stereo Mix (24/192): A "flat transfer" from the original master tapes with no additional EQ, providing the most authentic digital representation of the original Eddy Offord production.

Steven Wilson 2013 Stereo Mix (24/96): While the Wilson remixes are often provided at 96kHz, some high-res storefronts like ProStudioMasters offer a 192kHz version.

Instrumental Mixes: The set included Wilson’s new stereo mixes without vocals, allowing for deep focus on the complex interplay between Wakeman, Howe, Squire, and Bruford. Key Features of the 2013 Edition

Unrivaled Clarity: Steven Wilson’s remix is widely praised by Discogs reviewers for better instrument separation, particularly bringing Rick Wakeman’s keyboards more forward and tightening Chris Squire’s famously "growly" Rickenbacker bass.

Bonus Tracks: Includes the full-length version of "America" (Simon & Garfunkel cover) and previously unreleased "Early Assembly" or rough mixes of the title track.

Spatial Integrity: For those with the full physical set, the 5.1 DTS-HD Master Audio is considered a benchmark for surround sound, specifically the "I Get Up, I Get Down" section with its soaring church organ. Performance Summary

The 2013 high-resolution reissue of Yes’s progressive rock masterpiece, Close to the Edge, is widely considered the definitive audiophile version. This specific release, part of the Definitive Edition series, features a complete remix by Steven Wilson from the original multitrack tapes, aiming for modern clarity while faithfully preserving the 1972 spirit. Technical Specifications & Formats

Format: Typically available as a 24-bit / 192kHz FLAC download or via physical Blu-ray/DVD-A sets.

Source Material: Includes both Steven Wilson's 2013 Stereo Mix and a high-resolution flat transfer of the Original 1972 Stereo Mix. Contents: "Close to the Edge" (18:43) "And You and I" (10:09) "Siberian Khatru" (09:01)

Bonus Tracks: Often includes the full version of "America" and early rough mixes. Key Features of the 2013 Remix

Yes - Close To The Edge - 2013 (FLAC 24-192) release is a highly regarded audiophile edition, primarily known for being the first entry in the band's "Definitive Edition" series remixed by Steven Wilson Key Technical Specifications Resolution: 24-bit / 192kHz (and 24-bit / 96kHz for specific mixes). Primary Format:

FLAC (audiophile downloads) and LPCM (on Blu-ray/DVD-A physical media).

Remixed from original multitrack tapes and flat transfers from the original master tape. ProStudioMasters Version Breakdown

The 2013 high-resolution files typically offer three distinct ways to experience the album: Original Stereo Mix (24-192):

A high-resolution flat transfer from the original 1972 master tape, preserving the original sound with maximum clarity. 2013 Stereo Remix (24-96):

Remixed by Steven Wilson to bring out individual instrumental and vocal clarity while staying faithful to the original spirit. 5.1 Surround Mix (24-96):

Available on the Blu-ray and DVD-A physical versions, also handled by Wilson, providing a greater sense of space. Additional Content in the 2013 Series

Digital and physical versions from this 2013 release often include high-resolution bonus material: Instrumental Versions: 24-bit / 96kHz stereo instrumental mixes of the full album. Bonus Tracks:

New mixes of "America" and early rough assemblies of the title track. UK Vinyl Transfer:

A 24-bit / 96kHz "needle-drop" transfer of an original A1/B1 UK vinyl pressing. Artwork & Notes:

The physical editions included a 20-page booklet with new liner notes by Sid Smith and unreleased Roger Dean artwork.

This version is widely considered the definitive way to listen to the album due to its use of high-resolution digital transfers from analogue sources and the meticulous remixing by Steven Wilson. You can find these high-resolution downloads on sites like ProStudioMasters to the more recent 2025 Super Deluxe Edition

The 2013 "Definitive Edition" of Yes’s progressive rock masterpiece Close to the Edge is highly regarded for its Steven Wilson remix, which utilized newly-rediscovered 16-track master tapes to provide unprecedented clarity and depth to the 1972 recording. The 2013 Release Details

Released on November 11, 2013, via Panegyric Recordings, this edition was offered in CD/DVD-A and CD/Blu-ray configurations.

Audio Quality: The Blu-ray version features high-resolution 24-bit/192kHz stereo remasters of the original "flat" stereo masters and 24-bit/96kHz for the new Steven Wilson 5.1 Surround and Stereo remixes.

Remix Philosophy: Wilson aimed to preserve the "soul" of the original Eddy Offord production while cleaning up the dense layering of instruments, particularly the interplay between Chris Squire's bass and Rick Wakeman's keyboards. Content of the 2013 Definitive Edition

This release is known for being exhaustive, catering to both purists and those seeking new perspectives on the tracks:

New Steven Wilson Mixes: Entirely new stereo and 5.1 surround mixes.

Original Mixes: The 1972 Eddy Offord mix, transferred directly from the master tape with no additional EQ.

Bonus Audio: Includes the track "America" (remixed and original versions), early rough assemblies of all three album tracks, and various single edits.

Blu-ray Exclusives: Features a digital "needle drop" of a pristine original vinyl pressing and full instrumental versions of the entire album. Artistic Context Yes Close To The Edge M-CH DVD-A & CD - Elusive Disc

Rolling Stone 500 Greatest Albums of All Time - Rated 445/500! Close to the Edge, Yes's follow-up to the 1971 smash album Fragile, Elusive Disc

The 2013 Steven Wilson remix of Close to the Edge (24-bit/192kHz) is widely considered the definitive digital version for audiophiles. Unlike traditional remasters that only adjust the EQ, Wilson used original multi-track tapes to rebuild the mix from the ground up, focusing on instrument separation and dynamic range. 💎 Key Sonic Improvements

Clarity & Separation: Wilson reduces the "murkiness" of the original 1972 production, making individual parts like Rick Wakeman’s shimmering synths and Steve Howe’s intricate 12-string guitar easier to distinguish.

Chris Squire’s Bass: Often a highlight of these remixes, the bass is described as "fatter," "punchier," and more articulate, particularly during the heavy jam sections.

Vocals: Jon Anderson’s vocals are moved slightly forward in the mix, sounding more immediate and "in the room".

The "Whoosh": The iconic natural sound intro and the transition into the main theme are significantly cleaner and more impactful in high resolution. ⚖️ Critical Trade-offs

Loss of Mystery: Some purists argue that the increased clarity strips away some of the "esoteric mystery" and "ethereal" vibe found in the original analog mix.

Vocal Balance: In certain sections (like "I Get Up, I Get Down"), the extreme separation can make the vocal harmonies feel less tightly integrated than they were on the original LP. 📦 Technical & Content Highlights High-Res or Old School Digital - Positive Feedback

Here's the text of my response to him: "David Solomon, so no head-to-head comparison available yet, but I took a listen to the 24/ Positive Feedback Close To The Edge (Steven Wilson Remix) – Jason Warburg

The 2013 high-definition remaster of Yes’s 1972 masterpiece, Close to the Edge, remains the gold standard for audiophiles. Presented in FLAC 24-bit/192kHz, this version—meticulously helmed by Steven Wilson—breathes new life into what many consider the pinnacle of progressive rock. 💎 The Technical Edge: Why 24-bit/192kHz?

For a record as dense as Close to the Edge, the resolution matters. The jump from standard CD quality to 24-192 provides:

Expanded Dynamic Range: Subtle acoustic passages don't get lost next to thunderous organ swells.

Zero Compression: The FLAC format preserves every bit of the original master tape's detail.

Instrument Separation: You can finally "place" Steve Howe’s sitar-guitar and Chris Squire’s Rickenbacker in a distinct 3D soundstage. 🎹 The Steven Wilson Magic

In 2013, Steven Wilson was tasked with remixing the original multi-track tapes. His approach was surgical yet respectful. Sonic Improvements

The Title Track: The chaotic "Seasons of Man" section feels less cluttered, allowing Rick Wakeman’s rapid-fire keys to shine.

"And You and I": The 12-string acoustic guitars have a crystalline shimmer that was previously muffled in older digital transfers.

"Siberian Khatru": The interplay between the dual guitar leads and the driving percussion is punchier and more aggressive. 🌊 A Deep Dive into the Experience

Listening to this 192kHz file is less like hearing a record and more like sitting in Advision Studios in 1972. The Low End

Chris Squire’s bass is the heart of Yes. In this high-res format, the "growl" of his tone has a physical weight. It anchors the complex time signatures without overwhelming the mix. The Vocal Harmony

Jon Anderson, Steve Howe, and Chris Squire’s three-part harmonies are legendary. At 24-bit resolution, the individual textures of their voices are distinguishable, creating a lush, choral effect that feels organic. 🛠️ Requirements for the Best Listen

To truly appreciate the 2013 FLAC 24-192 files, your hardware must be up to the task:

DAC (Digital-to-Analog Converter): Needs to support 192kHz sampling rates.

Studio Headphones or Monitors: Look for "neutral" signatures to hear the remix as Wilson intended.

Media Player: Use software like Foobar2000, Roon, or VLC that handles bit-perfect playback. 🎯 Verdict: Is it Worth the Space?

Close to the Edge is an album of layers. The 2013 24-192 FLAC version unpeels those layers better than any vinyl or CD pressing before it. It is an essential acquisition for anyone who values the intersection of musical genius and technical perfection.

If you're looking to dive deeper into this release, I can help you: Compare the 2013 remix to the original 1972 flat transfer. Find the best hardware to play high-res FLAC files.

Explore other Steven Wilson Yes remixes (like The Yes Album or Fragile). Which of these

Close to the Edge

It was a crisp autumn evening in 2013 when I first laid ears on the remastered FLAC 24-192 version of Yes's iconic album, "Close to the Edge". I had always been a fan of the progressive rock band, but I had never heard their masterpiece quite like this before.

As I settled into my listening room, surrounded by vintage audio equipment and vinyl records, I carefully cued up the digital file on my player. The opening notes of "The Solid Time of Change" floated through my speakers, and I was immediately struck by the stunning clarity and depth of the sound.

The remastering process had clearly done wonders for the album, bringing out subtle details and textures that I had never noticed before. The guitars, keyboards, and vocals seemed to occupy a precise, three-dimensional space, drawing me into the music like a vortex.

As the album's 18-minute title track unfolded, I found myself transported to a different world. The soaring vocal harmonies, the intricate instrumental passages, and the epic, poetic lyrics all combined to create a sense of sonic grandeur that was both exhilarating and overwhelming.

I closed my eyes and let the music wash over me, imagining the band members in the studio, pouring their hearts and souls into this magnum opus. I pictured Chris Squire's bass thumping through the speakers, Steve Howe's guitar work shimmering like sunlight on water, and Rick Wakeman's keyboards conjuring up swirling clouds of sound.

As the album's second half, "Total Mass Retain", began, I felt a sense of trepidation. Would the music sustain its lofty heights, or would it falter under the weight of its own ambition? But Yes, ever the masters of their craft, effortlessly segued into the complex, polymetered rhythms and melodies, keeping me on the edge of my seat.

The last notes of "I Get Up, I Get Down" faded away, and I sat in stunned silence, feeling as though I'd been on a journey through the very fabric of sound itself. It was clear that "Close to the Edge", even 40 years after its initial release, remained a work of genius, an awe-inspiring testament to the creative potential of progressive rock.

As I opened my eyes, I knew that I would return to this album again and again, eager to explore its depths and uncover new secrets hidden within its remastered sonic landscape. For in the world of Yes, "Close to the Edge" remained an enduring masterpiece, an odyssey of sound that would continue to inspire and captivate listeners for generations to come.

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