Ten Years After Official Discography 19672017 Free (TRUSTED)

The debut is a raw, almost academic blues lesson. Covers of Sonny Boy Williamson (“Bye Bye Bird”) and Willie Dixon (“Spoonful”) sit beside Lee’s originals, which already showcase his turbocharged attack. But it’s the live Undead—recorded at London’s Klooks Kleek—that matters. Side two’s “I’m Going Home” (pre-Woodstock) is a blueprint: stop-start dynamics, harmonica squeals, and drum breaks from Ric Lee (no relation) that anticipate power-trio aggression.

The Ten Years After official discography (1967–2017) is a treasure trove of blues-rock history. And yes, you can experience it for free—not through shady torrents, but through ad-supported streaming, YouTube, and legal archives. Alvin Lee’s lightning-fast guitar runs and the band’s relentless energy deserve to be heard in high quality.

So do this right now: Open Spotify, search for "A Space in Time", press play on "I’d Love to Change the World," and then dive into the live version of "I’m Going Home." Your ears—and your conscience—will thank you.

Last updated: 2026. All album titles and rights belong to Chrysalis Records and the estate of Ten Years After.

Ten Years After is a name that commands respect among blues-rock aficionados. Led by the lightning-fast fretwork of Alvin Lee, the band became a cornerstone of the British Blues Explosion. If you are looking for a comprehensive breakdown of the Ten Years After official discography (1967–2017), you’ve come to the right place.

From their self-titled debut to their 50th-anniversary release, here is the roadmap of their recorded legacy. The Early Years: Finding the Groove (1967–1968) The journey began in London’s underground club scene.

Ten Years After (1967): A raw, jazz-inflected blues debut. It didn't set the charts on fire, but it established Alvin Lee as a "guitarist’s guitarist."

Undead (1968): Technically a live album recorded at Klooks Kleek, this release gave the world "I'm Going Home," the track that would eventually define their career.

Stonedhenge (1969): A pivot toward psychedelic blues, featuring the fan-favorite "Hear Me Calling." The Golden Era: Woodstock and Beyond (1969–1971)

This period saw the band peak as international superstars following their legendary performance at the Woodstock Festival.

Ssssh (1969): Their first major commercial success in the US, leaning harder into heavy rock. ten years after official discography 19672017 free

Cricklewood Green (1970): Often cited as their masterpiece, featuring the hit "Love Like a Man." It perfectly balanced their blues roots with high-production rock.

Watt (1970): Released just months later, it continued their hot streak with a mix of studio tracks and a Chuck Berry cover recorded live at the Isle of Wight.

A Space in Time (1971): A shift in sound. The band moved away from long jams toward polished, acoustic-leaning songs. It contains their biggest hit, "I’d Love to Change the World." The Final Alvin Lee Years (1972–1974)

As the mid-70s approached, internal friction and exhaustion began to show.

Rock & Roll Music to the World (1972): A return to form with high-energy boogie-rock.

Positive Vibrations (1974): The final studio album of the original lineup before their first major breakup. Rebirth and Modern Era (1989–2017)

After a long hiatus, the band resurfaced, eventually moving forward after the permanent departure (and later passing) of Alvin Lee.

About Time (1989): A reunion album featuring the original four members (Lee, Lyons, Churchill, and Ric Lee).

Now (2004): The first album featuring Joe Gooch on guitar and vocals, stepping into the massive shoes of Alvin Lee.

Evolution (2008): Solidified the new lineup’s identity, proving the band could survive without their founding frontman. The debut is a raw, almost academic blues lesson

A Sting in the Tale (2017): Released to coincide with their 50th anniversary, this album features Marcus Bonfanti on vocals. It’s a gritty, soulful return to the blues that started it all. How to Access the Discography "Free"

When searching for the Ten Years After official discography 1967–2017 free, it is important to support the artists and their estates. Fortunately, there are several legal ways to listen without a hefty price tag:

Streaming Services: Platforms like Spotify, YouTube Music, and Tidal offer "free" tiers (supported by ads) where you can stream the entire 1967–2017 catalog legally.

Public Libraries: Many libraries now offer digital services like Hoopla or Libby, allowing you to borrow digital copies of these albums for free with a library card.

YouTube Official Channels: The Ten Years After official topic channels host high-quality versions of these albums, often including rare live footage. Why This Discography Matters

Ten Years After wasn't just a "Woodstock band." They bridged the gap between traditional Chicago blues and the heavy metal that would follow in the 70s. Whether it’s the frantic speed of Alvin Lee’s "Big Bill Broonzy" style or the atmospheric production of their later work, their 50-year run remains a vital chapter in rock history.

The official discography of Ten Years After spans exactly fifty years, beginning with their self-titled debut in 1967 and culminating in the 50th-anniversary release of A Sting in the Tale in 2017. Known for the lightning-fast guitar work of Alvin Lee and their legendary performance at Woodstock, the band’s catalog serves as a roadmap for the evolution of British blues-rock. The Classic Era: 1967–1974

This period defines the band’s most commercially successful and influential years.

Ten Years After (1967): The eponymous debut established the band as a serious contender in the London blues scene, featuring tracks like "I Want to Know" and "Spoonful".

Undead (1968): A live breakthrough recorded at Klooks Kleek, this album includes the definitive early version of "I'm Going Home," showcasing Lee's speed and the band's jazz-tinged energy. Side two’s “I’m Going Home” (pre-Woodstock) is a

Stonedhenge (1969): A more experimental, atmospheric studio effort that moved beyond traditional blues into psychedelic jazz territory.

Ssssh (1969): Released just before their Woodstock fame, this album hit the Top 20 in the US and Top 5 in the UK.

Cricklewood Green (1970): Often cited as their finest work, featuring "Love Like a Man" and "50,000 Miles Beneath My Brain".

Watt (1970): The final album for the Deram label, concluding with a live cover of Chuck Berry's "Sweet Little Sixteen" from the Isle of Wight Festival.

A Space in Time (1971): Their best-selling US album, shifting toward a more polished, acoustic-leaning sound and featuring the massive hit "I'd Love to Change the World".

Rock & Roll Music to the World (1972): A return to a heavier, rockabilly-influenced blues sound.

Positive Vibrations (1974): The final studio album of the original lineup before their first major split. Reunions and Later Works: 1989–2017

While the band’s peak fame occurred in the early '70s, they continued to record sporadically with various lineups.

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Even if you find the ten years after official discography 19672017 free legally, consider supporting the surviving members (Ric Lee and Chick Churchill still tour as Ten Years After). Purchasing a single album or attending a show ensures this music continues. However, for discovery, free legal streaming is a phenomenal tool.

A live album, but notable for two new studio tracks: “The Last Day of the Rest of My Life” (a melancholy reflection on aging) and “Get Out of Here” (a harmonica-driven complaint about industry bullshit). By now, the band had accepted its place as a heritage act, but one that refused to stop writing.

Subject: Ten Years After Genre: Blues Rock, Hard Rock, Jazz Fusion Period Covered: 1967 – 2017 (50 Years) Status: "Free" (Public Domain/Out of Print considerations regarding the title query)