Taboo Vii- The Wild And The Innocent -1989- Ful... %5bexclusive%5d

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The adult film industry has had a significant impact on popular culture, with some films crossing over into mainstream recognition. "Taboo VII: The Wild and the Innocent" and its predecessors might have influenced discussions around sexual liberation, censorship, and the portrayal of sex in media.

Taboo VII: The Wild and the Innocent (1989) is a notable departure from the long-running adult film franchise, shifting away from the series' signature incest themes toward a more stylized, almost musical-soap-opera aesthetic. Production Controversy

While credited to original series creator Kirdy Stevens, many critics and historians point out that the film is largely a "con job" or "repackaging".

The Original Source: It is primarily an edit of a 1980 film titled A Woman’s Dream, directed by Pete Perry. Given the adult nature of the content, access

New Content: The 1989 release added a video framing story featuring Randy West to make it appear as a new installment in the Taboo franchise. Plot Overview

The story follows Ben Brookfield (Randy West), a famous author/poet who encounters a former love, Emily (Lysa Thatcher), at a book signing. This triggers an extended flashback to six years prior at the Whitestone Institute, an elite artist retreat where residents are encouraged to explore their "sensuality" in an open environment. Key Characters:

Ben Brookfield (Randy West): The "poet in residence" who engages in a low-budget musical number, "Return to Romance," early in the film. Lenny (Herschel Savage): A crude, "Beat poet" rival to Ben.

Dana (Suzannah French): An uninhibited artist known for "body painting" with water balloons. "Taboo VII: The Wild and the Innocent" and

Miss Wiggins (Kitty Shayne): The wife of a benefactor who features in a scene noted for its "marvel of porn cinematography". Critical Reception

According to reviewers from Letterboxd and IMDb, the film is often criticized for its lack of cohesion and "bizarre" tone.

The Musical Aspect: The opening bookshop song is widely described as unsexy and strange.

Visual Style: Despite its recycled footage, some critics appreciate that it was "shot on film," giving it a higher production quality than typical 1989 adult videos. The Original Source : It is primarily an

Tonal Shift: Many fans of the franchise were disappointed by the removal of the "incest" motif, leading to its relative obscurity. Cast List Randy West Ben Brookfield Lysa Thatcher Suzannah French Herschel Savage Jamie Gillis Liz's Friend Mai Lin Kitty Shayne Mrs. Wiggins (archive footage)

The subtitle The Wild and the Innocent is evocative of the franchise's core themes—duality, corruption, and the loss of innocence that defined the earlier entries. While the original film focused on the psychological turmoil of forbidden family dynamics, the 1989 sequel leaned more into the aesthetic of the late 80s: big hair, aerobicized bodies, and a faster pace necessitated by the direct-to-video market.

Unlike the brooding, psychological intensity of the early 80s entries, Taboo VII brought a different flavor. It retained the series' commitment to narrative structure—which was becoming rarer in the "loops" and vignette-based content of the time—but updated the look for a modern audience. It was no longer about grainy 35mm film; it was about the crisp, sometimes harsh, reality of video tape.

Taboo VII isn’t great cinema. It’s disjointed, under-lit, and the final reel is missing about three minutes of audio (we improvised with subtitles). But as a time capsule of late-80s independent genre filmmaking – just before the 90s indie boom – it’s invaluable.

For fans of lost media, the thrill isn’t perfection. It’s the texture: the handwritten credits, the incidental music that sounds like a Casio keyboard on loan, the palpable exhaustion of the crew on day six.