The narrator feels guilt, but it is a self-centered guilt. He wants to help Petrus not out of love for Johannes, but to soothe his own conscience for having refused the pass. Throughout the quest, the narrator and Petrus never truly communicate. They speak different languages not only literally but emotionally. When Petrus says, “He said he would come back,” the narrator hears a sad saying. But for Petrus, it is a broken covenant—a failure of the world to respect even the last wish of a dying man.
Six Feet of the Country is a masterclass in understated horror. Gordimer does not show a lynching or a police beating; she shows a bureaucratic error. But in that error, she reveals the entire moral bankruptcy of Apartheid. The story’s power lies in its final, quiet tragedy: a family cannot find a body to bury because, in the eyes of the law, their loved one was never an individual at all. It remains one of Gordimer’s most devastating critiques of the banality of evil.
The story is narrated by a well-meaning white man living on a farm near Johannesburg. He and his wife consider themselves decent employers. They provide food and shelter for their Black workers, and they believe they treat them with a degree of respect. They see themselves as "liberal"—sympathetic to the plight of Black South Africans, but largely insulated from the harsh realities of their lives.
This comfortable distance is shattered when one of the workers, a young man named Petrus, approaches the narrator with a request. Petrus’s brother has recently arrived from the rural areas (likely Rhodesia, now Zimbabwe) to work on the gold mines. He contracted pneumonia and died in a government hospital. six feet of the country by nadine gordimer summary
In South African culture, and specifically in the traditions of the workers, death is not an end but a transition. To die far from home, without family, and to be buried in a potter’s field by the state is a tragedy. Petrus asks for permission to bring his brother’s body back to the farm to be buried properly among his own people.
"Six Feet of the Country" is a short story by South African Nobel laureate Nadine Gordimer, first published in her 1956 collection of the same name. The story is a sharp critique of apartheid-era South Africa, focusing on themes of bureaucratic indifference, racial inequality, and the emotional distance between white landowners and Black South Africans.
Petrus explains that the family of the deceased does not want him buried in the cheap, anonymous "native grave" on the outskirts of town. Instead, they want his body transported to his home village (a six-hour drive away) to be buried with his ancestors, according to their customs. They have raised money for the transport and ask the narrator for permission and a simple coffin. The narrator feels guilt, but it is a self-centered guilt
The narrator, a practical and cynical businessman more concerned with profit than people, refuses. He argues that a coffin costs money, and the city health regulations require a death certificate and official transport. He dismisses the family’s wishes as “superstition” and arranges for the body to be buried in the municipal native cemetery—a barren, unmarked patch of land.
1. The Dehumanization of Black South Africans under Apartheid The central horror of the story is that the dead man becomes a "case number." The white officials see no difference between one black body and another. The line, “They are all natives,” is the story’s damning indictment of the system.
2. The Innocence of Ignorance vs. Guilty Complicity The narrator considers himself a "good" white man (he runs a store for black people, employs them). He believes he has nothing to do with Apartheid’s cruelty. Yet, his refusal to grant the simple request for a coffin and transport directly leads to the tragedy. Gordimer shows that complicity is not just active cruelty, but also the failure to see others as fully human. They speak different languages not only literally but
3. The Clash of Cultures The story pits Western bureaucracy (death certificates, permits, numbered plots) against African spirituality (burial with ancestors, community mourning). The cold, bureaucratic system wins, but only by committing a form of spiritual violence. The family is left unable to complete their mourning ritual.
4. Land and Belonging The title, Six Feet of the Country, is bitterly ironic. The government claims to give land to everyone, but for a black man, the only land he is truly allowed to “own” is a six-foot grave. And in this story, he doesn’t even get that.
Nadine Gordimer (1923–2014), the South African Nobel laureate, is renowned for her unflinching portrayal of the moral and psychological toll of apartheid. Her 1956 short story, “Six Feet of the Country,” is a quintessential example of her early work. At first glance, the story seems to be a simple, tragic anecdote about a poor African man who dies and is buried, and the ensuing bureaucratic struggle to retrieve his body. However, beneath this surface lies a profound exploration of racial insensitivity, the chasm between white privilege and black suffering, the failure of liberal goodwill, and the impersonal, dehumanizing machinery of the apartheid state.
This article provides a detailed, paragraph-by-paragraph summary of the story, followed by an analysis of its major themes, characters, and symbolic weight.