Run Dmc Jason Nevins Its Like That Raxon E

In the history of hip-hop and electronic music, few tracks represent a perfect storm of timing, innovation, and cross-cultural impact as Run–D.M.C. vs. Jason Nevins – "It's Like That." Released in 1997—over a decade after the original—this high-energy big beat remix not only reintroduced the legendary Queens trio to a new generation but also became a global chart-topping phenomenon. Behind the scenes, a small German label named Raxön Records played a crucial, often overlooked role in bringing the track to the masses.

In the late 1990s, a seismic shift occurred on dancefloors worldwide. If you walked into a club between 1997 and 1999, you would have witnessed a strange, beautiful phenomenon: punks with spiked hair moshing next to househeads in designer jeans, all while a thumping bassline dropped over a scratchy, anti-drug rap verse. run dmc jason nevins its like that raxon e

The track responsible for this chaos goes by many names. To the uninitiated, it is simply “The ‘It’s Like That’ Remix.” To crate diggers and Beatport historians, it is the holy grail of the Big Beat era. But the search string that unlocks this specific corner of music history is: "Run DMC Jason Nevins Its Like That Raxon E." In the history of hip-hop and electronic music,

Let’s break down why these four keywords—and that mysterious "Raxon E"—represent one of the most important crossover moments in hip-hop and electronic music. Revived Run–D

Enter Jason Nevins. A New York-based producer and DJ, Nevins was a key figure in the underground breakbeat and hip-hop house scene. In 1997, he took the a cappella of It’s Like That (released by Profile Records) and did something radical. He stripped away the original 1983 Roland TR-808 beat and replaced it with a roaring, synthesized house bassline, a pounding four-on-the-floor kick drum, and a thunderous snare fill that became his signature.

Nevins’ remix didn’t just update the song; it weaponized it. The tempo jumped from 100 BPM to nearly 130. The melancholic synth of the original became a euphoric, trance-like loop. When the drop hit—"People... dance... people... dance"—the crowd lost its mind.