When asked why she chose condemned buildings and forgotten lots for her signature thread installations, Tachikawa’s answer was immediate: “I don’t choose spaces. The spaces that are about to disappear choose me.”
In the full interview, she rejects the term "site-specific." Instead, she describes her work as "site-responsive." She notes that a building slated for demolition has a unique acoustic hollowness—a frequency of silence that isn’t found in a pristine gallery. Her famous red threads, she explains, were not about decoration but about "re-tensioning the skeleton of a room before it exhales for the last time."
Interviewer (I): Rie, thank you for agreeing to a full interview. For those searching for your name, the first thing they see is the term "silent sculptor." Do you accept that title?
Rie Tachikawa (RT): (Long pause, then a soft laugh) No. A sculptor adds. I remove. Perhaps I am a "silence arranger." But even that is not correct. Silence does not exist. True silence is a myth we chase. My work is about the awareness of the sound that is already there—the hum of the refrigerator, the groan of a wooden floor, your own breath.
I: Your 2018 piece, Memorandum of Oblivion, involved taping a single, broken teacup to the ceiling of a room in an abandoned apartment. People waited in line for four hours to see it. Why?
RT: Because they recognized it. That cup—it had a hairline crack. The tape was yellowed, brittle. It looked like someone had tried to fix it in a hurry and then simply... left it. When you walk into a pristine white cube gallery, you are an observer. When you walk into a room where a teacup is floating above you, you become a trespasser. You ask: Who lived here? Why did they leave this? That question is the artwork. Not the cup. rie tachikawa interview full
I: So you are a storyteller?
RT: No. I am a questioner. A story gives answers. I give clues to a mystery that doesn't exist.
Unlike many artists who panic about the decay of their work, Tachikawa was serene about ephemerality. In the interview, she admits that she has never seen a "professional" documentation of her largest piece, Horizon of the Needle (2006). It was destroyed by a typhoon three days after its completion.
“A photograph is a lie,” she insists. “It freezes a ghost. My work is only alive when the wind moves through the polyester or when a stray cat brushes against a line. If you want the ‘full’ experience, you had to have been there in the rain.”
She laughs—a rare, gritty sound—when the interviewer suggests that future generations might study her via YouTube. “Let them study the absence. That is the real art.” When asked why she chose condemned buildings and
Looking ahead, Tachikawa is expansive. While she remains tight-lipped about specific upcoming announcements, she hints at a desire to move behind the camera.
"I have stories I want to tell that I cannot act out," she reveals. "Directing is the next horizon for me. Controlling the narrative, the look, the pace—it is a different kind of performance, and I am very attracted to that challenge."
As the interview concludes, one thing is clear: Rie Tachikawa is not content to simply rest on her laurels. She is an artist in a constant state of evolution, pushing boundaries and refusing to settle for the easy path.
"I never want to be comfortable," she says, finishing her tea. "Comfort is the enemy of art. I want to be terrified. That is when the best work happens."
Perhaps the most viral excerpt from the Rie Tachikawa interview full archive comes from NHK’s “Professionals.” When asked if she has a partner, she laughs for ten seconds—an uncomfortably long laugh. Unlike many artists who panic about the decay
“The short answer is no. The long answer is that I have a very devoted relationship with my washing machine. It spins. I watch. We understand each other.”
She then pivots to seriousness. Tachikawa argues that the actor’s job is to simulate connection without actually possessing it.
“To live a completely stable, happy life and then play a woman falling apart on screen? That feels like lying. I’m not saying artists must suffer. But I am saying that I don’t know how to paint a storm while standing in a field of daisies in the sun. I need the rain. I schedule my loneliness. Thursdays, 7 PM to 9 PM, I allow myself to fall apart. Then I cook dinner.”
After synthesizing the transcripts of the three most requested “Rie Tachikawa interview full” sessions (spanning CUT Magazine (2022), The Director’s Cut Podcast (2024), and NHK’s “Professionals” (2024)), three distinct pillars emerge.
When the world of Japanese animation (anime) and video games buzzes with new releases, the voices behind those beloved characters often become the silent stars that carry the story. One such talent is Rie Tachikawa, the versatile voice actress whose recent “Rie Tachikawa Interview Full” went viral across fan forums, YouTube channels, and industry news sites.
In this post, we’ll unpack the full interview, highlight the most compelling moments, and explore why this conversation matters for fans, fellow voice actors, and anyone interested in the inner workings of the Japanese entertainment industry.