In a mystery, characters search for clues. In a family drama, characters search for ways not to say what they mean.
Great dialogue in this genre is full of deflection. In a mystery, characters search for clues
The second line is devastating because it is a lie wrapped in nonchalance. It forces the other character to decode the hurt, or to ignore it. The drama lies in the choice they make. The second line is devastating because it is
Certain plot engines are perennial because they tap into universal fears and desires. Here is a breakdown of the most effective family drama storylines. the gift unwrapping
Thanksgiving, Christmas, Passover, Diwali—these are the thunderdomes of family drama. The pressure to be happy creates the most misery. A great family storyline uses the ritual of the holiday (the turkey carving, the gift unwrapping, the prayer before dinner) as a ticking clock. Will the secret get out before the pumpkin pie is served? Will the accusation be hurled during the toast?