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Oasis B-sides ❲Bonus Inside❳

oasis b-sides

Oasis B-sides ❲Bonus Inside❳

Here is the ultimate test of an Oasis fan. If you walk into a room and hear "Little by Little," you nod. If you hear "Champagne Supernova," you raise a lighter. But if you hear the opening acoustic strum of "Half the World Away" (a B-side to "Whatever"), you don’t just listen. You feel it.

"Half the World Away" is a perfect example of the B-side paradox. It was the flip to the Christmas hit "Whatever." It later became the theme song to the BBC sitcom The Royle Family. It is now streamed hundreds of millions of times. Yet, in 1994, it was considered the "throwaway."

The Oasis B-side mentality taught a generation of listeners that value is not determined by the marketing budget. The greatest art is often the stuff that didn't fit the mold.

The band released over 50 original B-sides during their 1994-2009 run. That is approximately four full studio albums of material. While albums like Dig Out Your Soul had their moments, nothing compares to the run from 1994 to 1997. To make a list of the top 10 Oasis B-sides is to omit 15 other songs that would be any other band's career highlight. oasis b-sides

The Ultimate Ten (If you only have 45 minutes):


Vibe: Post-Prs, Liam starts writing, band is fracturing. Experimentation (sitars, electronic beats).

  • "Cigarettes in Hell" (B-side to Go Let It Out)
  • "Full On" – A straight-ahead rocker that sounds like a leftover from Morning Glory. Relentless.
  • "Shout It Out Loud" (B-side to The Hindu Times)
  • Liam’s First B-Sides: "Better Man" and "Soldier On" (both from this era’s tail end) are lyrically clumsy but melodically interesting. You hear Liam trying to find his voice as a writer.

  • Most of the legendary B-sides come from the first three album cycles: Definitely Maybe (1994), (What's the Story) Morning Glory? (1995), and Be Here Now (1997). Here is the ultimate test of an Oasis fan

    Oasis rose to fame during the mid-1990s "Britpop" era, which coincided with the dominance of the CD single. Unlike 7-inch vinyl singles that typically held 1-2 B-sides, CD singles could hold 3-4 extra tracks. This format encouraged bands to release non-album material prolifically. Oasis, led by songwriter Noel Gallagher, treated B-sides as a creative playground, often recording songs that were "too good" or stylistically different for their albums.

    In the pantheon of British rock, few bands have inspired as much ferocious devotion—or as much critical re-evaluation—as Oasis. For a glorious, chaotic decade spanning the mid-90s to the early 2000s, Liam and Noel Gallagher didn’t just write songs; they penned anthems for a generation. We all know the hits. “Wonderwall” is inescapable. “Don’t Look Back in Anger” closes every pub singalong. “Champagne Supernova” is the defining comedown of the Britpop era.

    But for the true fanatic—the one who wore out their Definitely Maybe cassette and argued in schoolyards over whether Be Here Now is underrated genius or cocaine-addled bloat—the real treasure was never the singles. It was the B-side. To put it bluntly: Oasis B-sides are not throwaway tracks. They are, in aggregate, the greatest B-side discography in the history of rock music. For many fans, the B-sides constitute a phantom fourth album, one that sits comfortably alongside the holy trinity of Definitely Maybe, (What’s the Story) Morning Glory?, and The Masterplan. Vibe: Post-Prs, Liam starts writing, band is fracturing

    Let’s uncork the bottle and dive into the landfill, the swagger, the heartbreaking melancholy, and the sheer lunacy of the Oasis B-side.


    If you have 10 minutes: Listen to Acquiesce, The Masterplan, Listen Up. If you have 30 minutes: Listen to The Masterplan album. If you want to be sad: Half the World Away, Talk Tonight, Let's All Make Believe. If you want to fight someone: Headshrinker, Fade Away, Stay Young.