Khazinat Al-asrar File

For academic databases, search Google Scholar with:
"Khazinat al-Asrar" OR "Khazinat al-Asrar" Jilani OR "Khazineh-ye Asrar" (Persian form).


"Khazinat al-Asrar" (The Treasure of Secrets) is a seminal work of Persian literature, written by the great 12th-century poet and mystic Nizami Ganjavi (c. 1141–1209).

While Nizami is most famous for his Khamsa (The Quintet), Khazinat al-Asrar stands apart as his first masterpiece and one of the most important works of the mathnawi (couplet) genre.

Here is a review of the work, broken down by its themes, structure, and significance.

Carl Jung studied Sufi symbolism. Khazinat al-Asrar can be seen as the Collective Unconscious—the storehouse of archetypes and ancestral wisdom that lies dormant until integrated through individuation.

If you wish to access this treasury yourself, follow these traditional steps: khazinat al-asrar

If you are lucky enough to acquire a copy of the Khazinat al-Asrar, here is my sincere advice:

The poem is composed of approximately 2,250 couplets. Structurally, it is divided into an introduction and a main body consisting of twenty discrete tales. This structure mimics the concept of a treasury: a container (the frame narrative) holding valuable, distinct objects (the individual stories).

Rating: 5/5 (A Classic of World Literature)

Khazinat al-Asrar is not a page-turner in the modern sense; it is a book to be savored slowly, one couplet at a time. It is a "treasure" in the truest sense—offering insights that remain relevant centuries after they were written. It serves as a reminder that while empires rise and fall, the search for truth and the refinement of the soul are timeless endeavors.

Recommendation: If reading in English, look for a translation that preserves the poetic form (such as the metered version by Gelpke or academic translations that include the original Persian text for reference). "Khazinat al-Asrar" (The Treasure of Secrets) is a

Khazinat al-Asrar " (Treasure Trove of Secrets) is a celebrated Islamic compendium written by the 19th-century Ottoman scholar Sheikh Muhammad Haqqi al-Nazili

. It serves as a comprehensive guide to the spiritual benefits of various Quranic verses, prayers, and salutations upon the Prophet Muhammad ﷺ.

One of the most prominent features of the book is its detailed documentation of the Salat al-Nariya (The Fiery Prayer), also known as Salat al-Tafrijiyya

(The Prayer of Relief). The book outlines specific benefits based on the number of times it is recited: 11 times daily

: Linked to consistent provision and attaining a "sanctuary of wealth". 41 times after Fajr : Used for obtaining specific needs or wants. 100 times daily : Aimed at achieving one's goals and beyond. 313 times daily This work effectively established the "didactic mathnawi" as

: Practiced for the "unveiling of secrets" and spiritual insight. 4,444 times

: Often recited collectively by a group to alleviate severe calamities or humanitarian disasters.

Beyond these litanies, the work is highly regarded in traditional learning circles, such as the

in Indonesia, where it is used as a primary reference for the spiritual use of Quranic mantras to treat ailments or prevent danger. It also contains traditional narrations regarding the and its weight on the Day of Judgment. Sabinet African Journals

For those interested in the specific texts mentioned, you can find the Durood Nariya Arabic and Translation or download a Durood Nariya PDF for your daily practice. full Arabic text of one of the specific prayers mentioned in the book?


This work effectively established the "didactic mathnawi" as a premier form in Persian literature. It paved the way for later giants like Rumi and Saadi. It also cemented Nizami’s reputation not just as a storyteller, but as a sage and philosopher.

In: Archives de Sciences Sociales des Religions (No. 185, 2019), pp. 113–136.
Author: Dr. Farina Mir (University of Michigan).
Through ethnographic fieldwork, Mir demonstrates how the Khazinat al-Asrar remains a living text, copied by calligraphers in Lahore and used by ʿāmilūn (practitioners of exorcism). She notes: