For the serious collector, here is the checklist to identify a genuine “Come Under My Spell (1981 Exclusive)”:
In the vast ocean of rare groove, post-disco, and early 80s synth-pop, few phrases spark as much curiosity among serious collectors as “Come Under My Spell 1981 Exclusive.”
For the uninitiated, this string of words might sound like a forgotten B-side or a moody incantation from a Halloween mixtape. But for crate diggers, DJs, and aficionados of the Boogie era, it represents a holy grail—a shimmering, elusive piece of wax that encapsulates the very moment when disco’s glitter was dying and the robotic heart of 80s dance music began to beat. come under my spell 1981 exclusive
But what is the “Come Under My Spell 1981 Exclusive”? Why does it command hundreds (sometimes thousands) of dollars on auction sites? And why has its legend only grown in the four decades since its pressing?
Let’s step into the time machine and set the dial for 1981. For the serious collector, here is the checklist
What makes a film like this "exclusive" to its time? It is the sheer lack of irony. Watching "Come Under My Spell" today, modern audiences might chuckle at the dialogue or the practical effects, but the film commits to its premise with a straight face. There is a genuine earnestness in the way these filmmakers approached the subject of seduction and magic.
In 1981, the "video nasty" scare was beginning to brew, and films that mixed eroticism with the supernatural were walking a dangerous line. This gave them a taboo allure. "Come Under My Spell" was the kind of movie you found on a high shelf in the video store, a cover promising mystery and flesh, but delivering a surprisingly moody, almost gothic experience. It is a relic of a time when "adult" cinema could still have production design, plot ambition, and a genuine attempt at atmosphere. Why does it command hundreds (sometimes thousands) of
"Come Under My Spell" is a 1981 single by British pop/new wave artist Kissing the Pink (commonly abbreviated KTP). The track blends synth-pop and post-punk elements typical of early-1980s U.K. new wave. It was released as part of the band's early singles leading up to their debut album.