A live album recorded over two nights at the legendary Klub Fest in Pančevo. Druga strana medalje is not a "best of" but rather a document of the band’s onstage energy. It includes rare covers: a ferocious take on Električni Orgazam’s "Krokodili dolaze" and an unexpected, nearly unrecognizable punk version of the traditional folk song "Tamo daleko." The between-song banter, filled with profane jokes and political rants, is preserved in full. For fans, this is the definitive Brkovi live experience. For newcomers, it serves as an excellent career summary up to that point.
After the release of Druga strana medalje, Brkovi entered a four-year hiatus. Mladen relocated to Berlin, and other members pursued solo projects (bassist Keks formed the blues-punk band Prazna soba). Many assumed the band was finished.
Label: PDV Records Key Tracks: "Mrtvi dani," "Nikom nije lako."
Released during the COVID-19 pandemic, Dead Days is appropriately bleak. However, true to form, Brkovi inserted moments of ridiculous humor to keep it from becoming depressing. The title track is a slow-burning epic about unemployment and isolation. It is arguably their most "grown-up" record, dealing with mortgages, failed relationships, and the struggle to remain optimistic. Brkovi diskografija
Produced by Milan "Miksa" Milaković (of the band Repetitor), this album represents a radical sonic shift. The punk rawness is tempered with post-punk basslines, drum machines, and even a saxophone on two tracks. Mladen’s vocals are less shouted, more spoken-word, recalling The Fall or early Nick Cave. Lyrically, the album focuses on surveillance, digital alienation, and the rise of far-right politics in Europe.
Key tracks:
The album divided the fanbase more than any previous release. Purists decried the use of synthesizers and clean production. However, Društvo za uznemiravanje won the Punk Rock Award at the 2020 Belgrade Music Awards and introduced Brkovi to a younger, post-punk audience. A live album recorded over two nights at
Before the polished aggression of their studio LPs, Brkovi started as a noisy, drunk idea. Their earliest recordings are rare gems for collectors, characterized by lo-fi production and unhinged energy.
Translation: When They Shout: "Who Are You?!" I Will Say: "God!"
If you are overwhelmed by the amount of material, here is a path to follow: Label: PDV Records Key Tracks: "Mrtvi dani," "Nikom
In recent years, Brkovi have focused on standalone singles and split EPs.
The title references three subcultures: punks, diesel enthusiasts (a term for rural, conservative, working-class men), and leftist comrades. The album is an attempt to unite these seemingly contradictory groups against a common enemy—neoliberal capitalism and Westernization. Musically, this is Brkovi at their most overtly political and their most musically diverse. The track "Dizelaši" features a guest verse from a local turbo-folk singer, creating an uneasy but compelling fusion.
Other notable tracks:
The album was criticized for being too long (18 tracks) and unfocused. However, it contains some of Mladen’s most literate lyrics, referencing poets like Branko Miljković and filmmakers like Emir Kusturica.